Second annual Saskatoon Gem, Mineral, Fossil and Jewellery show

Friday, 13 October 2017, 1pm-9pm
Saturday, 14 October 2017, 10am-6pm
Sunday, 15 October 2017, 10am-5pm

Eventbrite - Saskatoon Gem & Mineral Show

Admission Fee at the Show doors:

General: one-day ticket – $7 , three-days ticket – $10
Senior/Student: one-day ticket – $5 , three-days ticket – $7
Children 12 and under admit for free

German Kabirski new collection is coming to Saskatoon Gem & Mineral Show

“Tell everyone to go to hell. Don’t listen to anyone else, only yourself, and polish your technique as your own vision,” advises master jeweller German Kabirski. And that is just what the world-renowned, somewhat unhinged, artist has done: he’s thrown away the rulebook. The freak (as he calls himself) visionary has created a world without walls.
German_Kabirski_article_01

Kabirski was born in 1964, in Kabir, a small Lezgi village in Caucasus region of southern Russia, and raised in Moscow. From a young age Kabirski enjoyed drawing and doodling in his art books, but the family hardly appreciated these interests as they were all doctors and much less right-brained, wanting him to focus on more practical skills.
German_Kabirski_article_02

Starting Out
Kabirski knew he would succeed in whatever area he ended up choosing. Art being his first love; he went to art school. Only a year into the program he went to the director and asked, “Could you please look at my work and tell me if I am going to be a great artist?” The director laughed, “We don’t have ANY great artists in our school.” “Until now,” stated Kabirski, leaving the school, and dropping the program completely.
German_Kabirski_article_03

In 1996, Kabirski opened a small commercial jewellery factory. Producing simple and generic pieces, he started experimenting with jewellery for the first time. During his time at the factory, he became disgusted with the same clean designs; nothing was special or new. His experience compelled a desire to completely erase the generalization and start anew by creating jewellery totally opposed to norm.
SONY DSC

Self Taught
In all areas of life, Kabirski is experimenting and trying something new or in a different way. He never had any teachers. Through online research, trial and error, Kabirski learned everything he knows. His goal was to, “do something that no one has ever done before.” He knows each step of the creation of his pieces as intimately as the back of his hand – he grew up with that hand, he developed these processes. Casting, waxing, polishing – they all go through his hands. Every intrinsic detail is born of his imagination and passes through to life, by him.
German_Kabirski_article_05

Media and Themes
Silver, then gold, are his favorite metals, but he uses a variety of mediums from wood to steel. For stones, he attracted to sapphires, tourmalines and spinels, rough and raw, uncut and unpolished. The energy of rough stones appeals to the artist, and eventually to admirers, as he says, “That’s why people like my pieces, while they are not ‘technically’ perfect, they are drawn to by the passionate energy.”
SONY DSC

Artistic Growth
As in any trade, there are rules in jewellery making and Kabirski’s goal is to break every single one. Go against the flow and find something totally new. An accident in his 20’s left him unable to sketch his ideas, so his jewellery comes to life in his hands. No pre-planning. At times, he creates straight from the metal rather than wax, but with wax, he chooses what metal to cast it after he forms the mold. Kabirski generally uses silver, as he doesn’t want his rings to be too expensive. His rings are affordable and wearable. Sometimes they are big and and quite impressive, but when you slip one on your finger, it is surprisingly comfortable.
SONY DSC

In the Works
Right now, Kabirski is experimenting with mixing silver and stone, casting silver with rough stones inside the metal. He strives to view the process and the pieces from nature’s perspective, not humanity’s. He never looks at the works of other artists, not wanting to be influenced by what they are doing. Instead, he wants to cancel out all the ‘beautiful’ polished designs now saturating the market by creating what is raw, rough, and natural.
German_Kabirski_article_08

Life in Bangkok
Cirrhosis of the liver, caused by hepatitis C, left Kabirski on his deathbed just over two years ago. He packed and moved to the warm comfortable climate of Thailand to die. But, life for this ingenious man was not over yet, not only did he happen upon a surgeon who rushed him in for a liver transplant surgery, giving him a second go, he met his new beautiful wife, Tania. They now live with their children in a comfortable home in Bangkok, with chickens, hamsters and a jewellery shop.
German_Kabirski_article_09

Life as an Artist
An introvert, Kabirski thrives in his own creative cave alone. He doesn’t like to go out often or to express his emotions, so creating jewellery is his therapy. All he is goes into his pieces. Creating for other people has never crossed his mind. Kabirski creates for himself. He never considers what people would like, what they would be more inclined to buy, or what will be most successful. He simply does what interests him, producing what is original and satisfying. Of course, he doesn’t mind people buying his work, but doesn’t accept commissioned pieces or custom orders. Even if he needs money, he refuses to take orders. He fears that if this happens, he will lose what he values most – his inspiration.
German_Kabirski_article_10

Kabirski’s message is simply this: “It is important for people to see things as they are. Through their own eyes, and not to rely on someone else’s concepts or beautiful explanations.” Kabirski feels sadness when people ask him to define a piece with a name. “When you give something a name you somehow give a direction, or you make them see something that you see, and that’s not right, because everyone has their own vision.”
German_Kabirski_article_11

“I am not the owner of my work. I just give birth to the pieces and they go on their journey.” For Kabirski, each piece of his art only reaches its full potential when it finds the hand of its true keeper.
German_Kabirski_article_12